The 24-hour news cycle seldom contains anywhere near 24 hours of news. The purveyors of such things, therefore, have calculated that to retain as many eyeballs as possible, they have to resort to things which are technically not news. This includes the early-evening pontificating gasbags, the semi-cute morning shows, and, as Roberta X discovers, just a hint of fanservice:
I returned to full consciousness in time to have my eyeballs tugged out by a push-zoom from a handheld camera moving from the “anchor” (a leaden thing that was preventing motion) to a diminutive meteorologist; this move was followed up by the same handheld staggering across the set to end in a shot of the weatherlady from a vantage at least a foot and a half higher than the top of her head — a shot they held she proceeded to relate the weather with the usual Ritual Gesturing, accompanied by a disconcerting amount of cleavage. I’m not at all sure what the point was — drawing in the male viewership, perhaps? — but as the overture to a headache, it worked all too well.
Now that was worth quoting just for the definition of “anchor.” Still, weird camera angles are part of the Total News Experience these days. I never stay up late enough to see Fox’s Red Eye, for instance, but screenshots inevitably reveal a lowish camera placement — and an attractive female in what is known as the “leg chair.” Tamara Holder occupies that position in this shot:
Nor, as Jamie Colby illustrates, is this technique confined to fringe-time shows:
Or, for that matter, to Fox. See, for instance, CNN’s Brianna Keiler and Jacqui Jeras:
We may say that we’d rather get the news from some grizzled Chet Huntley type. In some cases, it might even be true. But cable news apparently can’t afford to take that chance.