“Immoral,” sniffed Nikita Khrushchev during a visit to the Can-Can set, his Soviet sensibilities evidently upset by the dancing of Juliet Prowse. My own thinking is that it was 1959, and therefore Khrushchev’s objections were probably good for a 20- to 30-percent boost in the American box office for Can-Can. (Today’s communists are inexplicably treated with less disdain.)
About this time, Prowse costarred with Elvis Presley in G. I. Blues.
Not quite so successful was Mona McCluskey, a 1965 NBC sitcom that starred Prowse as an actress married to an Air Force sergeant; the shtick was that they were going to live on his salary. Mona lasted 26 episodes and was not renewed.
And when the roles became fewer and farther between, well, there were always commercials:
In 1994, Juliet Prowse was diagnosed with pancreatic cancer; the disease went into remission for about a year, allowing her one final tour in Sugar Babies with the evergreen Mickey Rooney. But cancer, as it too often will, returned, and she died in September 1996, a few days short of her 60th birthday.