At least some of Yuja Wang’s early fame derived from sartorial as well as musical choices. By now, the flap over what she might be wearing has given way to more serious concerns: what she might be playing. Which is not to say that she shuns the limelight or anything:
This cover photo fascinates me, perhaps because of her enigmatic facial expression: I can’t tell if she’s truly relaxed, or if she’s feigning it just to get the photoshoot over with. (Then again, my ability to read women’s faces and/or body language is decidedly below average.) I’ve always suspected that, for her anyway, periods of relaxation and periods of ferocity tend to be interspersed at irregular intervals:
Yuja Wang’s most recent recording, being chased out the door even as we speak, is a pairing of the two piano concertos by Maurice Ravel, the jazzy G Major and the slightly more sombre D Major, written for the left hand only. Deutsche Grammophon is promoting it thusly:
I shall have this recording shortly.